The kujang ImageThe Kujang is full of mysteries.It is said to contain its shape with a force magical mystical powers.Attached to its original form, it brings us back to the old philosophy of sundanais: Hindu heritage.The creation of the original Kujang was inspired agrarian a tool. This tool was widespread between the 4th and 7th century AD.The shape of the current Kujang slightly changed since the agrarian blacksmiths tools of this era (as Empu Windusarpo, Empu Ramayadi and Empu Mercukundo which can be seen in parts of the country local museums Sunda).It is only in the 9th century 12me Kujang that took the form that we know it today. En 1170 il y eu un changement dans le Kujang. In 1170 there was a change in the Kujang.Its value as a talisman qu'amulette or spreading, these virtues were recognized by the nobility and the authorities of the Kingdom of Pajajaran Makukuhan, especially during the reign of Prabu Kudo Lalean.During one of his spiritual retreats, Kudo Lelean had the mental vision of the new form of a blade made to Kujang scheduled to be closer to the shape of the island of 'Djawa Dwipa' (name of the island of Java at that time.
SEJARAH PSHT SELAMA MATAHARI MASIH TERBIT DARI TIMUR, SELAMA BUMI MASIH DIHUNI MANUSIA SELAMA ITU PULA PERSAUDARAAN SETIA HATI TERATE AKAN TETAP JAYA ABADI SELAMANYA “KI HADJAR HARDJO OETOMO” Pendiri Persaudaraan Setia Hati Terate. Sejarah Persaudaraan Setia Hati Pada tahun 1903, bertempat di Kampung Tambak Gringsing, Surabaya, Ki Ngabeni Surodiwirjo membentuk persaudaraan yang anggota. Terkecuali di latih pencak silat/beladiri setia hati terate juga berikan pelajaran rohani pada Cikal akan Pendekar Setia Hati Terate Supaya Nantinya Jadi Warga Sh Terate yang Tahu benar Serta Salah, ini adalah salah Satu Harus di punyai Oleh Anggota Sh terate yakni Rasa Persaudaraan Yang Tinggi Melebihi Saudara Kandung Sendiri.
Immediately the sovereign commander in the Royal blacksmith, Empu Windu Supo, to forge a blade following the instructions of his vision. It would become a weapon full of quality and full of mystical spirituality; magic object, a unique form, as future generations will combine always Makukuhan Pajajaran kingdom.Note also that Silat using the short stick (or Kayu Tonglat), the long stick, belt (Selendang or Bengkong), ergot. The kerambit ImageThe Kerambit, which can be used in combat, much appreciated for self-defense, is an example formidable weapon dissimulable easily:A short curved blade attached to a ring, which allows up to hide the surprise opponent with the back of palm and.The Kerambit is a small knife originally from the island of Sumatra.It is strongly associated with the style Harimau (style tiger, a native of Sumatra) is also called 'claw of the tiger.' There are various forms of Kerambit greater or lesser with a ring for his finger or not, with a second wave in the ring or not.The kerambits small ones have the advantage of being able to hide easily in the hand, the belt or sarong.It is easy to believe his opponent that we are with our bare hands and bring a Kerambit without him noticing it.
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The Kriss ImageThe Keris Kriss. What about huge!The kriss is a bit what the katana for Japanese, much more than a weapon of combat. There are endless variations of kriss according to their geographical origins, history, the blacksmith who performed the work.In Indonesia, tradition has it that a child age to be a man receives his first kriss at the hands of his father in order to serve symbolically it belongs to the clan of 'adults'.
These Kriss 'family' have been handed down from generation to generation in families and are of great importance in the social life of Indonesia.The Kriss is part of traditional dress for the official ceremonies (marriage, burial, cremation.). To correct a small rumor that says that the Keris is not a weapon of combat effective, it must take the form of traditional struggle for a better understanding of its use martial.The Kriss part of their physical nature has ever been made to block an attack on another weapon (type golok). The Peksi which keeps the blade in custody not stand.The Kriss has always been a weapon for 'planting', 'prick' his opponent, blockages possible attacks is with the sheath of kriss, and that's why we can find blades Kriss originating with Java fourreaux Sumatra (for example).The warrior who came from Java and using his Kriss in combat in Sumatra would be making a new sheath after his fight with a craftsman Sumatra.I can only 'touch' the subject of Kriss because it far exceeds the purpose of this booklet. The Indonesian weaponsIn Pencak Silat, we also find a variety of knives impressive as Keris or kriss, kujang, pedang, kerambit, rencong, golok, parang, tombak, trisula.Such weapons have their origins and their specific uses precise.The field of knives is a study in its own right if you approach it in the traditional manner of Indonesia.Blacksmiths (empus) are great mystics, which perform complex rituals based prayers, abstinences, offerings. Avant de forger une lame. Before forging a blade.In Indonesia and Malaysia, Kriss (Keris) is the weapon mother.While a set of beliefs it is associated, however, for practitioners of Silat will more readily with short arms that long, this illustrates the value they attach to the surprise in the art of combat, preferring weapons easily conceal weapons 'historical', swords, sword, spear, often disciplines queens of military traditions in countries like China or Japan.Some of the noteworthy in these categories.
Pencak sporting aspect of silat:T he official competitions were created to compensate for the shutdown in 1942 of Suruan (fighting without rules secrets whose outcome could be fatal).T he Bela Diri, which includes the categories of sports and self-defence of Penchak Silat, and includes the Olah Raga, part sport, which replaced the Suruan while allowing the continuation of the technical development of Bela Diri in a less dangerous.The combat sports or Olah Raga: a match takes place in 3 rounds of 2 minutes each. If there is no winner at the end of these rounds (KO or advantage in points), repeatedly additional 2 minutes are awarded. During the battle, each attack must not exceed 4 attacks or techniques.At the end of these techniques, the combatants must move lankas (movements style), on pain of being penalized.The competition includes 3 technical tests:Seni is a set of movements softened derivatives techniques Pentjak Silat, which was created in the past to allow a practice in complete confidentiality of this martial art under the guise of a dance.There are still today in the form of a dance punctuated by the sound of percussion instruments.
In competition, it is an individual event whose choreography is a traditional battle against one or more opponents, with a duration of 3 minutes, 1 min 30 unarmed 1 min and 30 with weapons. As in many traditional martial arts, Penchak Silat is based on the study of animal behavior, such as the tiger (harimau), the serpent (ula), the eagle (garuda). But also by plants (lotus), or local deities (Shiva).Pencak Silat has four distinct aspects: self-defense (Bela Diri), the sport (Olah Raga), art (Seni Budaya) and the spiritual (Ilmu Batin or Isis).
The positions sometimes high, sometimes low are called Kuda and coalesce as sequences called lankas (which in fact to taos kung fu or karate kata). Pentas are forms of pre-arranged battle two, and Serangan ( 'attack') the struggle free. It is sometimes punctuated by the sound of gamelan (traditional Indonesian percussion).The Pesilat always a guard named passang very open, which in fact constitutes a trap for the enemy, and allows devastating attacks against!Fluidity, speed, flexibility, precise schematic in the execution of movements all in an effort to break the concentration of the opponent and assener of tweaks and violent on parts of the body most sensitive. The fighter is First formed with bare hands, and then continue to weapons such as machetes, kriss, kukri, short stick.In contrast to the Chinese martial arts where practitioners have observed how to make this or that animal to reproduce their movements, Penchak Silat, they are shamans who developed mannerism animal using trance to be 'live 'with its spirit.Therefore, the spirit of the animal and not the observation of it which is the source of its codification, his calquage. Ki Ngabehi SoerodiwirdjoLittle difference in teaching Maitre Turpijn and that of his son. Maitre Turpijn was unique, very fluid and tonic.
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Tiander to change a little education, more artistic. But there are langhkas the jurus and taught by his father, as well as the weft technique.
Son enseignement est plus 'souple'. His teaching is more 'flexible'.Master Turpijn to create its own school of Pencak Silat in the 70 years under the name. It is a synthesis of styles of Java and other styles of Silat (Harimau, Cimande.).
He then broke to his style into 4 sub-styles. It is from this point that there has been confusion. In short, for simplicity, we named her school sour the appelation SETIA HATI TERATE.Currently, Holland, there are 3 major groups who come from the Ecole de Maitre Turpijn:- Sabda Ing Pendita with Victor Turpijn, a nephew- Paksi Naga Runtjing with Nico Turpijn, one of the sons of the Master (most talented, and closest to the style of her father)- (school official Master Turpijn) with Tiander Turpijn, 2nd son.Personally, the closest in technology and in the spirit of Master Turpijn, Nico Turpijn rest. History of Persaudaraan Setia Hati TeratePenchak Silat is a fighting sport very effective which originated in Indonesia.This martial art redoubt, which was practised by the Indonesian commandos, has been banned by the Dutch during their colonization of Indonesia.Yet the martial art has survived and even as has been the practice in hiding. Because of the effectiveness of its technology and its realistic character, including Silat Penchak been adopted by many mercenaries.' Silat' today 'Silat' equal 'attack flash'. The techniques of Silat Penchak occasions and were structured in a dynamic system and realistic.The concrete goals of this system are:A.
Propose realistic solutions for defense against real attacks (reality of the street).B.Propose techniques that have already proved their effectiveness.C.Propose a solution adequate against aggression and taking into account the principle of 'proportionality'.In short: anticipation, reaction, speed of execution, efficiency, reality of the street.The techniques of silat Penchak:1.Who are taught these techniques. For security officials, the military, police officers.2.The techniques:A. Frappes, taken, and Capital etranglementsB. Techniques ground and anti-groundC. Techniques batonsD. Technique knivesPencak Silat is an art of self-defence. It is based on the experiences of past encounters with wild animals, which have seen people like easy prey.Inspired by the enormous variety of animals living in the jungles of Indonesia, the Indonesian people have learned a new path, different self, unlike another self art, imitating the movement of these creatures.
In recent times, these techniques could be refined gradually.
Ki Ngabehi SoerodiwirdjoLittle difference in teaching Maitre Turpijn and that of his son. Maitre Turpijn was unique, very fluid and tonic.
Tiander to change a little education, more artistic. But there are langhkas the jurus and taught by his father, as well as the weft technique. Son enseignement est plus 'souple'. His teaching is more 'flexible'.Master Turpijn to create its own school of Pencak Silat in the 70 years under the name. It is a synthesis of styles of Java and other styles of Silat (Harimau, Cimande.). He then broke to his style into 4 sub-styles. It is from this point that there has been confusion.
In short, for simplicity, we named her school sour the appelation SETIA HATI TERATE.Currently, Holland, there are 3 major groups who come from the Ecole de Maitre Turpijn:- Sabda Ing Pendita with Victor Turpijn, a nephew- Paksi Naga Runtjing with Nico Turpijn, one of the sons of the Master (most talented, and closest to the style of her father)- (school official Master Turpijn) with Tiander Turpijn, 2nd son.Personally, the closest in technology and in the spirit of Master Turpijn, Nico Turpijn rest. Hello,My name is Cordisto, pupil of guru Bapak Hardjono Turpijn and his pupil Michiel Meyer, Paksi Naga Runtjing.I'm probably one of the last who has been instructed by Guru Turpijn during the '90, at his place in Haarlem and in Lelystad.Now, at age 34, I'm looking for one or a few serious and good hearted people, who want to help me to preserve the Style SETIA HATI madiun, or what is left of it,for if not, it will surely be for ever lost.Thank you for your interest.I live in France.Contact: [email protected].
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